This lecture uses Kristof Crolla’s recently built work in China to illustrate how the deliberate introduction of project-specific material and construction idiosyncrasies, such as limited onsite skill, accuracy, budget and time, into the digital workflow can facilitate materialising unusual and ebullient architectural outcomes from minimal means.
Current evolutions in computational design are radically expanding the design solution space available to architects. In principle, these trends should permit the more straightforward implementation of non-standardised, geometrically complex architecture. Yet, since the digital entered the architectural scene, it has by-and-large encountered non-digital cultures not through authentic dialogue, but through subjugation. As a result, a disjunction has manifested between the opportunities the virtual offers and their real-world implementation. Especially in developing countries, this divide reveals itself in the difficulties the non-standard often faces in dealing with onsite restrictions and unpredictabilities, and is apparent in the discordance between available digital and onsite craft.
In search of an alternative contemporary mode of architecture practice, the work presented from LEAD and CUHK illustrates the surprisingly poetic outcomes possible in contexts notorious for their building quality.
Kristof有一種容許度哲學(Allowance),一種特殊的生活態度。只是用運算本身的幾何線條,還是無法說明背後如何處理材料,Kristof不只使用數位的形式,也呈現出他對材料的喜好跟興趣。他的作品呈現出他對生活的體悟,人生永遠在改變,透過講者在不同事件與領域中遊走平衡的經驗分享,希冀帶給學員們遊走其他領域的可能性
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